Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

Apply for Support

Cohort Archives

2026 - 2027 Digital Humanities Summer Fellows

Mal Ahern looks at a roll of film that has been unwound.
Assistant Professor
Cinema & Media Studies
Ashfaq Ahmed
PhD Candidate
Jackson School of International Studies
Vanessa de Veritch Woodside
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Tacoma
Andrew Hedding
Assistant Professor
Linguistics
Meichun Liu
Assistant Professor
School of Art + Art History + Design
Nikoloz Nadirashvili
PhD Candidate
School of Art + Art History + Design
Paul Jason Perez
PhD Candidate
Information School
Zhifan Sheng
PhD Candidate
Asian Languages & Literature
Jingrui Yan
PhD Candidate
Cinema & Media Studies

2021 - 2022 Digital Humanities Summer Fellow

Close up of Hope smiling at the camera, long hair parted the side and in front of her right shoulder, behind her left shoulder. She is wearing a green patterned top and the backdrop is a cream color.

Hope Reidun St. John

Doctoral Candidate

Picturing the City: Photographic Practice and the Constitution of Urban Place

“Picturing the City” is a multi-site ethnography exploring the constitution of urban place through photographic practice in four Pacific Rim cities. The project focuses specifically on digital mapping as a mode of comparative analysis, inquiry, and form of publicly accessible publication. It aims to create publicly accessible digital maps of photographic practice in Seattle, Vancouver, Hong Kong, and Qingdao using ethnographic data and materials.