Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2026 - 2027 Digital Humanities Summer Fellows

Mal Ahern looks at a roll of film that has been unwound.
Assistant Professor
Cinema & Media Studies
Ashfaq Ahmed
PhD Candidate
Jackson School of International Studies
Vanessa de Veritch Woodside
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Tacoma
Andrew Hedding
Assistant Professor
Linguistics
Meichun Liu
Assistant Professor
School of Art + Art History + Design
Nikoloz Nadirashvili
PhD Candidate
School of Art + Art History + Design
Paul Jason Perez
PhD Candidate
Information School
Zhifan Sheng
PhD Candidate
Asian Languages & Literature
Jingrui Yan
PhD Candidate
Cinema & Media Studies

2019 - 2020 Digital Humanities Summer Fellow

Portrait of Rachel Schlotfeldt

Rachel Yim Schlotfeldt (she/her/hers)

Doctoral Candidate

Speculative Race and Technology in Narrative Hypertext

My project is a hypertextual web app based on Apple’s “Supplier Responsibility” booklet that highlights how the constructedness of these kinds of documents and the ways in which ethical consumption and sourcing get narrated, contribute to the disconnect between material conditions and material goods. I am arguing for the ways in which this cultural erasure, facilitated by technology and consumerism, digitally empowers a new form of imperialism and violence that directly depends on invisible Asian labor.