Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2026 - 2027 Digital Humanities Summer Fellows

Mal Ahern looks at a roll of film that has been unwound.
Assistant Professor
Cinema & Media Studies
Ashfaq Ahmed
PhD Candidate
Jackson School of International Studies
Vanessa de Veritch Woodside
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Tacoma
Andrew Hedding
Assistant Professor
Linguistics
Meichun Liu
Assistant Professor
School of Art + Art History + Design
Nikoloz Nadirashvili
PhD Candidate
School of Art + Art History + Design
Paul Jason Perez
PhD Candidate
Information School
Zhifan Sheng
PhD Candidate
Asian Languages & Literature
Jingrui Yan
PhD Candidate
Cinema & Media Studies

2016 - 2017 Digital Humanities Summer Fellow

A black and white image of Darren Byler wearing glasses.

Darren Byler (he/him/his)

Doctoral Candidate

The Art of Life in Chinese Central Asia: A Repertoire of Uyghur and Han Migrant Popular Culture

Following a series of riots in 2009, officials in Xinjiang, an ethnically diverse province in Northwest China, announced multi-million yuan investments in "creative industries" across the region which address official goals of “ethnic harmony” and "anti-terrorism." By centering on Uyghur and Han art collectives, literary salons, film and photography studios that have been created as supplements to secular urban development, this project focuses on the way cultural expression responds to social precariousness across and within ethnic and class divides. Aimed at the intersection of urban studies and expressive culture, this digital project considers how Chinese urban minority and migrant life give rise to new forms of ethics and aesthetics.