Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2026 - 2027 Digital Humanities Summer Fellows

Mal Ahern looks at a roll of film that has been unwound.
Assistant Professor
Cinema & Media Studies
Ashfaq Ahmed
PhD Candidate
Jackson School of International Studies
Vanessa de Veritch Woodside
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Tacoma
Andrew Hedding
Assistant Professor
Linguistics
Meichun Liu
Assistant Professor
School of Art + Art History + Design
Nikoloz Nadirashvili
PhD Candidate
School of Art + Art History + Design
Paul Jason Perez
PhD Candidate
Information School
Zhifan Sheng
PhD Candidate
Asian Languages & Literature
Jingrui Yan
PhD Candidate
Cinema & Media Studies

2016 - 2017 Digital Humanities Summer Fellow

Stephen Groening looking at a computer monitor

Stephen Groening (he/him/his)

Associate Professor

The Seattle Television History Project

The Seattle Television History Project produces an open-ended, online, and publicly available research project aimed at recovering, archiving, and publicizing the local history of television in Seattle. A history of Seattle television necessarily comprises a range of types of materials: still and moving images, sound files of interviews, and the written history itself. An internet-based digital space for the gathering and analysis of these materials would both render them more publicly accessible and offer flexibility as more evidence and material is uncovered. While the project is largely an activity of digital curation, it will also be a launch platform for digital publication of research and scholarship.