Digital Humanities Summer Fellowships

scholars in the fellowship program having a lively discussion at the conference table

The Simpson Center offers annual summer fellowships for faculty and graduate students to pursue research projects that use digital technologies in innovative and intensive ways and/or explore the historical, social, aesthetic, and cross-cultural implications of digital cultures. The program has three primary goals:

  • To animate knowledge—using rich media, dynamic databases, and visualization tools
  • To circulate knowledge—among diverse publics
  • To understand digital culture—historically, theoretically, aesthetically, and generatively

The Simpson Center gratefully acknowledges the support of a National Endowment for the Humanities Challenge Grant and the Andrew W. Mellon Foundation as well as many donors to the endowment which is underwriting these fellowships.

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Cohort Archives

2025 - 2026 Digital Humanities Summer Fellows

Paul Atkins
Professor
Asian Languages & Literature
Adrienne Mackey
Assistant Professor
School of Drama
Anna Preus
Assistant Professor
English
Mark Letteney
Assistant Professor
History
Rhema Hokama
Assistant Professor
English
Runjie Wang
Graduate Student
Cinema & Media Studies
Siddharth Bhogra
Graduate Student
English
Sikose Sibabalwe Mjali
Graduate Student
English
Herman Chau
Doctoral Candidate
Mathematics
Nikki Yeboah
Assistant Professor
School of Drama

2023 - 2024 Digital Humanities Summer Fellow

Mal Ahern looks at a roll of film that has been unwound.

Mal Ahern (she/her/hers)

Assistant Professor

Factory Forms: Making Copies in the Age of Automation

In the 1950s and 1960s United States, media executives attempted to use new computation technologies and cybernetic theories of control to automate the craft practices that had enabled image reproduction for the previous century. As printers, projectionists, and other technicians went on strike across the nation, misprints and distortions revealed the image’s formal infrastructure in disjointed layers, swarms of dots, and hallucinogenic flicker. Factory Forms archives and analyzes these visual traces of industrial automation and charts how aesthetic values changed in response to this crisis.