Society of Scholars

chairs against a blackboard

The Society of Scholars is an intellectual community of humanists of diverse generations, academic ranks, and departmental affiliations who contribute to and learn from one another’s work. Each year, approximately eight faculty and three dissertation research fellowships support members of the Society of Scholars. Scholars in year-long residence at the University of Washington may be invited to participate as well. The group meets biweekly throughout the year to discuss their research in progress. 

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Cohort Archives

2026 - 2027 Society of Scholars

Vanessa Freije
Associate Professor
Jackson School of International Studies
Portrait of Michelle Habell-Pallán
Professor
Gender, Women & Sexuality Studies
Amelia Lehosit
PhD Candidate
English
Annegret Oehme
Associate Professor
German Studies
Chrystel Oloukoï
Assistant Professor
Geography
Golden Owens
Assistant Professor
Cinema & Media Studies
Jonathan Radocay
Assistant Professor
English
Ila Ravichandran
Assistant Professor of Legal Studies
School of Interdisciplinary Arts and Sciences, UW Tacoma
Adam Romero
Associate Professor
School of Interdisciplinary Arts and Sciences, UW Bothell
Morgan P. Vickers
Assistant Professor
Law, Societies, & Justice
Chad Westra
PhD Candidate
History
Yumo Yan
PhD Candidate
Cinema & Media Studies
Anandi Bandyopadhyay
PhD Candidate
History
Laura Harris
PhD Candidate
Classics
Ishita Lahiri
PhD Candidate
English
medium close-up of Yandong. He is on the left of the frame in a black t-shirt looking at the camera. To the right is a light flare form the setting sun, while the background shows buildings and a park.
Doctoral Candidate
Cinema & Media Studies
Sikose Sibabalwe Mjali
Graduate Student
English
Martin Schwartz
PhD Candidate
German Studies

2018 - 2019 Society of Scholars Fellow

Ungsan Kim

Ungsan Kim (he/him/his)

Assistant Professor

Cruising the Cityscape: Queer Temporality and the Translation of Space in Contemporary East Asian Cinema

This dissertation explores the way in which queer cinema negotiates the normativizing process of hyper-modernity in contemporary East Asia. It suggests that queer Asian cinema has developed as a collective cinematic mode as a counterforce to the intensifying neoliberalism and neo-nationalism in the region since the Asian economic crisis. By focusing on these cinemas’ stylistic investment in the non-normative representation of temporality and space, as well as their representation of counter-progressive movements such as retrospection, repetition, and strolling, it argues that queer cinema has functioned as an artistic mode of resistance to the violence of progressive time as a technology that propels the ideology of development.